Terror.chic sculpts decaying industrial textures into dense, dystopian soundscapes that interrogate control, desire, and the collapse of meaning. Their latest release, Pseudocyclical Time, fuses corroded ambience, field recordings, and fractured rhythms into a sonic manifesto against mechanized existence and the erotic pulse of the spectacle.

In this interview, Chris P speaks with Zehn from Terror.chic about his new multimedia website. They discuss pseudocyclical time, digital psychogeography, and how late stage capitalism weaponizes these concepts to control the masses.